He actually conceived the main theme on the way back to his studio, making incredibly quick progress - especially considering the three-day timeframe he wrote it in. Djawadi had been shown a preliminary title sequence, which was what inspired him to write this beautiful piece. Possibly the most impressive fact about this theme is that he only took about three days to produce the entire song. The way that the song is interweaved throughout different parts of the show really ties the feel of the entire series together. Thus, if you hear bits of the main theme in parts of other songs on Game of Thrones, it’s no mistake. The theme was meant to reflect the entirety of the show. Djawadi wanted to use these instruments to build anticipation for the upcoming episode by the end of the title sequence. If you’ve heard the theme, you will know that it ends with dulcimer and kantele notes. In addition, the cello was chosen to bring a darker feel to the music. He designed the structure of the song to bring to mind backstabbing, conspiracies, and the overall unpredictability of the popular show - hence, the key changes every few bars. Plus, the key switches several times to make the song more interesting. In fact, composer Ramin Djawadi, who was asked to avoid flutes and violins due to their ubiquitous nature in fantasy theme songs, made the cello the lead instrument. It definitely stands apart from other themes composed for fantasy shows. If you watch Game of Thrones on HBO, you know that the theme music is some of the most epic ever created.
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